Nurko affirms he’s no disappearing act on ‘Disappearing Now’ with Chandler Leighton

Just one week after releasing his highly anticipated collaboration with William Black, “Worth It”—the surprise final single in the run up to Black’s Pieces album—Nurko returns with another masterclass in melodic-bass. This time, he’s teamed up with Chandler Leighton for “Disappearing Now,” out now via Proximity. A pairing of Leighton and the New Jersey-based producer
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Zeds Dead remix Nessa Barrett’s ‘i hope ur miserable until ur dead’

Zeds Dead are back once again, this time for a remix of Nessa Barrett’s “i hope ur miserable until ur dead.” The track features Barrett’s slow vocals amid Zeds Dead’s signature production. With a reverberating style that aligns with that of their other classics, “i hope ur miserable until ur dead” pulls elements from the
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ILLENIUM takes a victory lap with exceptional deluxe edition of ‘Fallen Embers’

It seems ILLENIUM is on a mission to make an unassailable case for Artist of the Year in 2021. Expectations for the producer’s fourth studio album here high, and then he delivered with a near flawless 14-track LP this summer. Fallen Embers was one of the most highly anticipated albums of the year that, for
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RÜFÜS DU SOL set a date for fourth studio album to the tune of third LP single, ‘On My Knees’

After two album singles, “Alive” and “Next to Me,” RÜFÜS DU SOL‘s fourth studio LP has both a name and a date. Surrender, the successor to 2018’s SOLACE, will land on October 21 and now, just shy of a month from the project’s due date, Tyrone Lindqvist, Jon George, and James Hunt are continuing to
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Lane 8 deems September 15 as the start of fall with three-hour ‘Fall 2021 Mixtape’ [Stream]

Welcome back to that time of year when everyone needs to edit their calendars, with Lane 8 officially deeming September 15 the new recognized onset of the fall season. With his three-night run at the Brooklyn Mirage in the rearview and a planned four-hour evening at Red Rocks exactly one month away, Dancing Astronaut’s 2020
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RÜFÜS DU SOL share sublime recording of ‘Alive’ at Red Rocks on The Late Late Show with James Corden

In between the rollout of their fourth album, RÜFÜS DU SOL rejoined the live music circuit for the first time in 18 months with a glorious two-night return to one of the planet’s most hailed venues in Red Rocks. While neither evening was publicly known to be filmed in its entirety, the Australian triad had
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Blanke sets off a ‘Boom’ on hard-hitting Ophelia Records comeback

Blanke was visibly caught off guard by a Red Rocks crowd during a Seven Lions‘ show earlier this summer, when the masses gave an overwhelmingly positive response to an unnamed new tune he’d been holding onto. Originally intending to keep it stored in the vault for the indeterminate future, Blanke made the sage audible to
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Kygo reaffirms tropical house supremacy with Zoe Wees-backed original, ‘Love Me Now’

After conquering the 2020 summer with Golden Hour, opening a “new chapter of music” in April with the James Gillespie-backed “Gone Are The Days,” and acting as one of Red Rocks’ first full-capacity event hosts of the year, Kygo has returned to reposition his seat atop the tropical house throne, bringing in Zoe Wees for
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RÜFÜS DU SOL add body to album rollout with second single, ‘Next To Me’

In mid-July, RÜFÜS DU SOL reasserted their relevancy in the electronic circuit with the release of “Alive,” the lead single from their forthcoming fourth studio album. Nearly one month to the date of “Alive’s” arrival, Tyrone Lindqvist, Jon George and James Hunt are answering their direct follow-up to 2020’s Live from Joshua Tree with “Next To Me.”
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ZHU offers a ‘summer anthem for the kids’—stream ‘Monster’

ZHU’s latest collaboration with multi-platinum singer/songwriter, John The Blind, is a distinct shift from the enigmatic virtuoso’s signature sound. Dispatched via Astralwerks, “Monster” marks ZHU’s follow-up to his critically acclaimed junior LP, DREAMLAND 2021. Although perhaps not reflected in the title, “Monster” is a both bright and celebratory single, with ZHU explaining, “I wanted to
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