“2012 was the best year in music ” is an announcement that is now a bit of a epithet in veteran dance music listeners’ talks of the development of EDM.  To bookmark 2012 among the funniest figures –or perhaps the funniest chapter–in the history of digital music isn’t to disavow or turn a deaf ear to the strides that the genre has made in the ensuing six decades, yet to signify with special fondness on EDM’s gradual breakthrough into mainstream culture, a piercing of their commercial veil enacted with genre setting fervor.

Back path to 2012, in which Skrillex had become a household name, and could go on to launch the very first Dog Blood EP–Next Order/Middle Finger–that August, as Swedish House Mafia ready for their global live farewell, One Last Tour, after announcing their imminent disbandment in June. Avicii, Calvin Harris, Skrillex, and also Swedish House Mafia had all secured Grammy nominations for 2012’s Best Dance Recording as Swedish House Mafia’s “Save World,” Harris’ “Sweet Nothing,” and Alesso‘s “City of Dreams” began to exert a grip on the graphs. In the middle of this a Russian-German DJ by the stage name of “Zedd” will drop his debut studio record, Clarity.  October 5, 2012 is a date important in that it subsequently marked Clarity’s arrival via Interscope Records. Now, the date represents not only the sixth anniversary of Zedd’s extended manufacturing, but a special and isolated second in the history of digital music at which point the genre could be irrevocably influenced by the transcendent function of an artist still relatively fresh to the scene, a second that may perhaps only be fully understood for its effect on EDM only decades later, retrospectively.

The highly anticipated project from the former OWSLA signee seamlessly melded Zedd’s heritage as a classical artist with his ear for first digital sound constructions, leading to a 10-track demonstrating led by the Matthew Koma helped solitary, “Spectrum,” and also the namesake, reigning digital classic, “Clarity. ” Arguably among the most easily recognizable digital songs to ever gain a launch, “Clarity” goes on to become Zedd’s very first gold record, and two-years afterwards, would earn the 23-year-old producer his first Grammy Award for “Best Dance Recording. ” Although “Clarity” has aged exceedingly well following its 2012 debut, the record preferred tells a fraction of the story that is Clarity.  Clarity was–and stays –noteworthy for its involvement of a run of different subgenres, such as electro and innovative, with dabbles in electro house, progressive house, and pop evident. The diversity of audio uttered on Clarity bespoke Zedd’s decision to push at the envelope to consequently gift 2012 EDM concept record that is exploratory and a meticulously constructed.

As many important 2012 dance records surfaced as bundles of standalone singles marketed as a complete multi-track offering, Clarity written a narrative.  Clarity’s status for a concept record materialized not solely in the technical repetition of vocal-centric monitor stylings–“Spectrum,” the Ryan Tedder feature, “Lost At Sea,” “Clarity,” the Ellie Goulding and Lucky Date powered “Fall Into The Sky,” and also the Bright Lights vocalized “Follow You Down”–but from the sharp attention to detail that Zedd displayed on the record, where no detail was too sloppy to bypass the manufacturer ’s detect. Take for example record concluder “Epos’”subtle transition into a closing blend of chords and melody, the very same amalgamation of chords and melody with which Zedd begins the album on Clarity’s opening song, “Hourglass. ” “Epos’” fade out, only to fade to the chords and melody of “Hourglass,” creates a complete ring, closed loop record effect, although underscoring Zedd’so cautious and deliberate structuring of this record.

The ticking noise evocative of a clock that appears in Zedd’s 2017 only “Stay,” and 2018’s “The Middle” surfaces on the first day of “Hourglass” to figuratively set Clarity in movement, and again reappears in the pacing of this synth function of “Epos,” simply beyond the song ’s two-minute mark, where the rhythm of this synth takes on a noise comparable to that of a clock that was ticking. Not to be missed at the conclusion of “Epos,” which adopts not only the chords and melody of “Hourglass,” however the very same ticking sound which communicates to streamers that although they have now listened to the record in its full extent, they could just as easily begin listening , given the smooth transition from Clarity’s final to opening tune.

Clarity strived for and achieved cohesion, and in the procedure, revolutionized dance music in its own demonstration of a cerebral and highly innovative group of paths threaded with specialized themes. Clarity in turn produced a distinctive sort of clarity because Zedd’s sonic vision for his debut record became increasingly more perceptible throughout the hearing experience, as every successive track listing built off of the previous one, to render Zedd’s afterward budding experience similarly increasingly conspicuous. The irony inherent in the name of Zedd’s debut record resides in the fact that the depth of the influence of a release that will afterwards be branded “highly influential” could only be seen in its full extent much later, then launch has exerted stated influence.  The six years that have followed Clarity’s 2012 arrival proof the record ’s effect on music, to subsequently shed the clarity which Clarity not only could, but has forever altered dance music’s landscape.  Happy birthday, Clarity.

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